King Men-Kau-Re, the goddess Hathor and the deified Hare nome
4th
Dynasty, reign of Men-Kau-Re, c.2551-2523 BC
Giza, Men-Kau-Re Valley Temple
Greywacke, h.84.5 cm, w.43.5 cm, d.49 cm
Harvard University-Museum of Fine Arts Expedition 09.200
George Reisner discovered some of the finest Egyptian sculpture known to exist
in the Men-Kau-Re Valley Temple [Reisner 1931, 34-54, 108-115]. An extraordinary pair statue of King
Men-Kau-Re and a queen was unearthed there, as well as a series of triads, each depicting the king, the
goddess Hathor, and a personified nome god.' The context and precise meaning of the triads is not well
understood. According to an early theory, there were originally thirty or more, one for each of the
thirty-odd nomes. Their presence in the pyramid complex guaranteed the deceased king a continuous supply
of provisions from all regions of the country. A more recent interpretation is that there were eight
sculptures, symbolizing the major sites associated with the cult of Hathor.
All together, four complete triads (MFA Boston 09.200, Cairo JE 46499, JE
40678, and JE 40679), one incomplete triad (MFA Boston 11.3,47), and fragments from a sixth grouping
were recovered from the site.
The sensitively modelled and beautifully proportioned triad illustrated here is
unique in that Hathor, rather than Men-Kau-Re, dominates the group by her central and forward position
and larger scale. A major deity since Predynastic times, Hathor was the celestial mother of the sun
calf, a guardian of the necropolis, and the protectress of the king. Depicted with gentle curves in
contrast to the block seat and the rectangular slab in the hack, Hathor's left arm embraces Men-Kau-Re's
waist while her right crosses her midsection to rest on the king's arm. This pose is the same (in
reverse) as that of the queen in the pair statue from the same site. The goddess' face is full and
round, with subtle modelling of the eyebrows, folds on the upper eyelids, a small mouth with puckered
lips, and a chin that recedes slightly. Field photography shows black pigment on the eyebrows and around
the eyes. The cosmetic lines extend outward, stopping at the end of the brow. Her headdress, a solar
disc and cow horns, is prominently displayed above an incised, tripartite wig, but the jewellery that
once adorned her sleeveless sheath dress - a wesekh broad-collar with teardrop pendants and a wide hand
bracelet-have largely disappeared. The headdress was not in standard use until Dynasty 5. However, the
solar disk, a symbol of the sun god Re, indicates the increased importance of this deity by the end of
4th Dynasty.
Men-Kau-Re stands on Hathor's left with his left foot advanced. His remarkably
individualized facial features-the prominent eyes, fleshy nose, moustache, and protruding lower lip are
all characteristics recognizable on other representations of the king. Unlike the female figures in the
group, Men-Kau-Re's musculature is well defined, giving the overall impression of a youthful, athletic,
and forceful ruler. His arms are at his sides with the left hand holding a ritual cloth or staff while
the right clasps a hafted, ceremonial mace." He wears the white crown of Upper Egypt, a false beard,"
and a pleated shendyt kilt with belt. A painted neck ornament in the form of a multi-strand, beaded
collar and a pair of bracelets once completed his attire.'
Standing to Hathor's right is a personification of the Hermopolite or Hare nome. Each of ancient Egypt's
nomes or provinces was associated with a male or female deity." This nome deity wears the Hare standard
(a symbol of her district) on her head, and holds an ankh in her left hand. Carved into the base is an
inscription that reads: "The Horus Kakhet, King of Upper and Lower Egypt, Men-Kau-Re, beloved of Hathor,
Mistress of the Sycamore. Recitation - "I have given you all good things, all offerings, and all provisions
in Upper Egypt, forever."'